Friday, June 11, 2010
Sentimental Education: Essays in Art
2:32 PM | 
Posted by
Marvelous
The visual arts have been at the center of my life from my earliest memories. My mother was a painter and she taught me to observe the world intently; she also conveyed the mysteries of the creative artist; a love of introspection; and an intelligence built on association. My father had a passion for classical literature and he taught me the importance of words, sentences, logic. He introduced thematic concerns. My own form of expression, I like to believe, is a combination of the two.
I hope these essays carry a sense of experimental wonder to whomever reads them; also a love of beautiful forms, and a sadness toward self-destruction. Because I am not a visual artist, I have the privilege of looking on, the privilege of an outsider’s point of view. I admire painting, drawing, illustration, photography, architecture, even music, like a little boy mystified by a magic trick. Literature and writing, on the other hand, is a trick I wish to learn.
My sentimental education was not based on failed romances, or successful ones, for that matter. But my maturity to appreciate art. I believe visual art is born in the emotional realm, that it lives in emotion as a human being lives in the open air. A poet once said that art leaves the imprint of the artist’s emotions as she creates.
I hope these essays carry a sense of experimental wonder to whomever reads them; also a love of beautiful forms, and a sadness toward self-destruction. Because I am not a visual artist, I have the privilege of looking on, the privilege of an outsider’s point of view. I admire painting, drawing, illustration, photography, architecture, even music, like a little boy mystified by a magic trick. Literature and writing, on the other hand, is a trick I wish to learn.
Tino Sehgal's live sculptures at the Guggenheim challenge our notions of "object-based" art. Sehgal's actors respond to museum-goers, and remain in the exhibit the entire time the museum is open. What is even more far-fetched is that the artist sells these works. Writer and artist Fraser MacIver, with editorial work done by Tony Thomas, covers Sehgal in our latest issue of Escape into Life. 
