Innocence Blog

Ever since I wrote an art review on David del Pilar Potes's photography, I've been very curious about the narrative aspects of photography. Potes's work inspired in me a vivid interest in the possibilities of storytelling through the digital medium. It was only by coincidence that I happened to purchase my first digital camera a day before I wrote the review.

What initially drew me to David's work, besides the remarkable photography, were the arrangements. In my interview with Potes, I asked him about his methodology and reasons for presenting photos in a linear format. He writes:

"The photos shown together help the dynamic in each group. Each photo I think helps the other photo. I've tried to maintain a rhythm in each gallery, a visual rhythm, trying to convey visual poetry almost."

"Each photo helps the other." This is what I'm interested in. I'm interested in the linear relationships between photos, how the progression of photos builds an emotional complexity, or simply carries an idea through.

I don't think I've achieved this yet with my latest set. But I'm experimenting and slowly learning the subtle art of narrative in photography.

These photos were taken over a period of a week or two, between my time spent in Normal, IL where I live, and Chicago, where I spent a short weekend for Father's Day. The two people in the restaurant are my father and sister. The man with the cat on the leash is my neighbor.